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TMINE has been busy/stuck under something heavy for the past few weeks, which means it’s hideously behind on its viewing. A whole bunch of new shows arrived last week, and I’ve not had a chance to watch any of them: Republic of Sarah (US: The CW), Whitstable Pearl (US: Acorn), Kevin Can F**k Himself (US: AMC), The Unusual Suspects (Australia: SBS) are all looking at me, shiftily, waiting for me to grace them with my attention. I’ve not even caught the first episode of the new season of Evil (US: CBS).

But that’s okay. I’m going to put the effort in this week. And I really, really, really hope to review them as well. Ooh.

Instead, my viewing has mainly consisted of Mythic Quest (Apple TV+), La Haine (1995), Fleabag, Superman & Lois (US: The CW), Loki (Disney+) and the whole of part two of Lupin (Netflix) – I could actually review a whole boxset on a Monday like I used to! If I had the time. Sorry. Things will settle down again soon, I promise.

Mythic Quest has been pretty decent, but none of the subsequent episodes have quite lived up to the delights of the 70s flashback episode, even the two-hander between William Hurt and F Murray Abraham a couple of weeks ago (although that was pretty great).

Superman & Lois, meanwhile, has been nothing but magnificent. I am now going to officially declare this the best superhero show I’ve ever watched (although there are some very close runners-up to that title, to be fair). Everything is just so well done and it’s great that they can really mess around with the Superman mythos as much as they like since it’s so far along in the character’s story now.

Loki is the latest spin-off Disney+ Marvel spin-off from the MCU, explaining what happened to Loki after Avengers: Endgame when he gets hold of the Tesseract thanks to some bad time travelling cock-ups by the Avengers. He’s soon intercepted by an agency dedicated to keeping the timelines intact who want to recruit him to stop… him. Yes, another Loki is going around messing with the the timelines.

If I hadn’t already seen Legion (US: FX), I’d probably be blown away by Loki since it is visually magnificent in more or less the exact same way Legion was. The visuals – and the timey-wimey plot, particularly the arrival of (spoiler) [spoiler]Lady Loki or is it the Enchantress?[/spoiler] in episode two – are what make the show, since it’s really quite a talky affair that largely relies on Tom Hiddleston’s massive charisma to get by otherwise. It could do with more than that, for sure, but that’s enough to keep me going and I’ll happily watch the rest of it, since it’s certainly better than Falcon and the Winter Soldier.

La Haine (1995) wasn’t what I thought it was going to be. A French classic set on a Paris banlieue, where a few youthful inhabitants get hold of a policeman’s gun after it’s dropped in a riot and events unfold from there. But despite that premise and the film’s name (‘The Hate’), it’s actually a pretty funny, hopeful affair about people finding a way through life, even in a crappy environment like a banlieue, while it simultaneously dissects racism, police brutality and more. Equally, it’s amazing to see the likes of Vincent Cassel and Saïd Taghmaoui back when they were young unknowns.

That’s on the BFI Player, at least, and probably elsewhere, too.

Fleabag, which is currently on Amazon Prime, as part of a National Theatre collection of plays – the National Theatre now has its own app, BTW – is a pretty dark affair. The source of the TV show, it’s a really interesting, not especially funny look at lack of intimacy leads to lack of self-worth and ultimately self-destruction, particularly for women.

The second set of episodes of the first season of Lupin were solidly decent. After a slightly shaky start, the show started to pick up again reverting to our gentleman thief doing more hijinks and capers in a very well executed way. There are some very clever reveals, too, and I did enjoy the various references to Lupin stories – and the fact that copyright being laxer then, Lupid could meet Sherlock Holmes…

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