Still awesome, though.
The Orville (US: Hulu; UK: Disney+) is back in new homes on both sides of the Atlantic. That seems to have forgotten it’s a Star Trek piss take that’s supposed to be having fun and appears to now think it actually is Star Trek and there’s not supposed to be fun in Star Trek. One funny line in the latest episode (there’s three new ones already) and zero in the first, which was basically one of those vaguely philosophical ones they do: can suicide be justified? Seems like if you want to watch funny Star Trek, you have to watch… Star Trek.
For All Mankind (AppleTV+) has made its return and has made it as far as the early 90s. Except the show postulates in a vaguely Watchmen-esque way that the continuation of the space race means that we’d be about 10-30 years ahead of where we were back then, with people doing video conferencing on their Apple Newtons. This season: we’re going to Mars and maybe socialist black Elon Musk, rather than the US and USSR, will be the man to get us there. There’s reduced soapiness at least, and it’s nice to see that our old guard are maybe not as liberal as people would like them to be. So I’m actually enjoying this one a lot more than season two. Particularly since this season opened with an episode that was almost as good as Gravity.
Stranger Things (Netflix) also returned and while not a marked improvement over season three, did feel a lot less repetitive and more innovative. This first batch of eps from the season (there’s a couple more to come next month, then another season after that) is a lot more grown up than the previous episodes, too, with some properly scary stuff going on. But most of it has the show’s favourite characters split up at the beginning, with the rest of the season then either about getting them back together or how 11 is going to get her powers back – which ultimately involves an explanation at last for why Hawkins is such a horror show. I really enjoyed it. I watched it over one weekend, which is something I generally don’t manage to get to do these days. There’s at least one really good new character, maybe two (no spoilers), as well.
And even if none of that was any good, there is one truly great scene that has justifiably propelled Kate Bush to the top of the charts again as a result. Watch it for that scene at least, because it’s actually incredibly moving – oddly enough.
After the jump, the new shows I’ve been watching. Although I might have to be brief on that, too. Sorry!